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Amants Du Pont Neuf, Les

Title: 
Amants Du Pont Neuf, Les
Year: 
1991
Film Format: 
dvd
Director: 
Carax, Leos
Language: 
French
Country: 
France
Actors: 
Juliette Binoche, Denis Lavant, Klaus-Michael Gruber, Daniel Buain, Marion Statens, Edith Scob
Actors: 
Cinematography by Jean-Yves Escoffier
Film Reviews: 

This 1992 French feature by Leos Carax (Boy Meets Girl, Bad Blood) could be the great urban expressionist fantasy of the 90s: like Sunrise and Lonesome in the 20s and Playtime and Alphaville in the 60s, it uses a city's physical characteristics to poetically reflect the consciousness of its characters.

Carax daringly and disconcertingly begins the film as a documentary portrait of the homeless in Paris, but it becomes a delirious love story between two people (Denis Lavant and Juliette Binoche) who live on one of Paris's most famous bridges and experience the whole city as a kind of enchanted playground, a vision that reaches an explosive apotheosis during a fireworks display over the Seine.

To realize his lyrical and monumental vision Carax built a huge set in the French countryside that depicted Pont-Neuf and its surroundings, making this one of the most expensive French productions ever mounted, not to mention Carax's best work to date.

Also known as Les amants du Pont-Neuf. 120 min.
By Jonathan Rosenbaum, The Chicago Reader

I first saw this on video which didn't do it justice. The next time I saw it was an unscheduled screening   at the Barbican where I was supposed to be watching L'Atalante. It turned out to be an inspired replacement offering-Thank you whoever thought of that.

A super expensive film that flopped both with audiences and critics. A shame because the film deserves much better. A homeless fire-eater meets and forges a bond with Michele, a drop-out art student whose eyesight is gradually deteriorating. There is a genuine if slightly stylized feeling for the people of the streets combined with breathtaking cityscape imagery to create a strange, exhilarating, maybe only slightly pretentious tale of passion. 

As long you don't expect great narrative complexity it is a rewarding film-This is the cinema of poetry not prose.

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